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jitterbug fashion

Dyeing Aris Allen Oxfords

This week is one of my favorite events of the year, but unfortunately I don’t think Hallmark will ever make a card in honor of the Great Los Angeles Air Raid of 1942.

The Air Raid is held at Ft. Macarthur in San Pedro, and is primarily outdoors and unpaved. Last year was rainy, but we’ve been having a mild winter this year so I hope the weather holds through the weekend! Even if the ground isn’t muddy it’ll still be dirty, so I want some warm sturdy shoes to wear. Last year I wore my Aris Allen oxfords and they got nice and muddy, and last weekend I finally got around to dyeing them, which I’ve wanted to try for a long time.
This isn’t exactly a tutorial on how to dye these shoes because I feel that this technique can be improved on, but in case some gals want to dye theirs I thought I’d document what I did. If you have any ideas how to improve this process, please comment below! And if you haven’t seen it, read the Dreamstress’s Shoe Dyeing Tutorial.
Supplies:
Dye – I chose Dylon, RIT would probably work fine
Salt – this may or may not be a good idea, see below
Gloves – get a 5 pack, I used at least 3 pairs
Brush – I chose a cheap sponge version, it worked fine
Old toothbrush – to clean shoes
White Tissue paper – stuff inside shoes while dyeing
Not shown: 
Bowl for dye (glass or stainless steel)
Spoon for mixing dye (do not use for food)
Paper towels!
Using a toothbrush or something similar, clean your shoes. Mine still had lots of mud from last year, and you need to clean off all the junk so the dye can take evenly.
I mixed up the dye according to the package instructions, but they wanted me to add salt to the dyebath water. Since I painted my shoes, I added it to the dye – which I’m not sure was a good move…

I didn’t tape off any trim, but if you want to, do that now.
Stuff the shoes with tissue paper or paper towels.
Using the brush, thoroughly wet the shoes with plain water, then apply the dye. It’s like watercolor painting, wet-on-wet. It spreads fast and goes on fairly evenly.

Wet shoes, after one coat. I let them dry for a while, then did a second coat.

After drying, the shoes were really splotchy! I’m not sure if it was from the dye or the salt, but it brushed away. I had already pitched the toothbrush, which was the wrong tool for the job anyway, so Chris got me a soft bristle brush from his shoe polishing kit.

 Shoe Brush.
Ahh, much better! not perfect, but good enough. They are more even-toned in real life.
Here’s a warning about this project. The velvet nap seems like it’s made of cotton, which is a natural fiber and dyes well with Dylon or RIT. The stitching and binding are synthetic and doesn’t pick up the dye for natural fibers well, which is why you get the neat contrast. BUT!! it looks like under the cotton nap is a synthetic base, so the areas that are rubbed down through wearing don’t take the dye well either.
If you really want to dye well worn shoes, I’d recommend mixing together dyes that are intended for natural and synthetic fibers. But then you’ll loose the contrast stitching because that will dye too. Another option is to use a lighter shade of dye so the contrast won’t be as strong.
FYI, I never wore these shoes much, maybe out dancing 5 times? That was enough to wear down the nap, I guess.
I’m still really happy with how they turned out! I like them in brown MUCH more than the off-white from before, and the contrast stitching is so cool. Most of the uneven color is on the inside of the shoes so it’s not obvious, and I’m not above touching them up with a marker. 🙂 Now I just need to find the Scotchgard and spray them down!

HEIDI ROSENAU: vintage dancer, in 13 acts

Over the past week or so, my friend and fellow swing dancer Heidi Rosenau in New York has been the subject of a 13-day blog feature at TheChicIndex.com. She dresses in exquisite head-to-toe vintage daily, and shares some of her favorite outfits and the stories behind them. It’s fascinating and inspirational! 
Here are a couple of my favorite outfits so far, click over to the blog for more info and to see the rest. I can’t wait to see what she has lined up for the rest of the week!

CH 2011 – “A Day at the Races” Outfit

I only made one new outfit for Camp Hollywood this year, for Friday night. The theme was A Day at the Races but it was also the night of the Balboa contest finals, so I didn’t want to be too “theme-y”. I decided to wear some 30’s daywear but was still undecided as to exactly WHAT –  until Kate posted some Summer Inspiration from 1938. The Sunback Dress (4th picture down, #7754) caught my eye and I knew that was the way to go.

I have a similar sundress pattern that I’ve made several times, so I grabbed that and headed to Jo-Ann’s – and actually found some cream rayon herringbone there! Miracles do happen. The striped fabric was hiding in the upholstery section, but it softened up after washing.

Sundress
Hollywood Pattern #1788 – c. 1939
Bolero
Simplicity #2762 –  c. 1938

And here’s an action shot – the belt kept spinning around all night – I think I need a well-placed snap.
Doesn’t rayon just move the best though? 🙂

Photo by Alex Vasallo
And last but not least, here’s a video of the Balboa contest finals. Can’t leave that out, I guess!
Camp Hollywood 2011 – Balboa Finals
Video by Sandra Carranza

Camp Hollywood 2011 – Balboa

This past weekend was the 14th annual Camp Hollywood, and as usual we packed up the car and drove 20 minutes to the LAX Marriott hotel for our “big” summer getaway. Hey, a couple days off work? I’ll take it.
Out of all the swing dance weekend camps, Camp Hollywood is particularly dear to me. Not only is it the biggest swing event in the region, and is kind of a “family reunion” with longtime friends whom we don’t get to see much, but it’s also the camp where I first learned sugar pushes and swivels, took my first Balboa lesson, and saw Groovie Movie and Buck Privates for the first time. Way back in 1998, when I was a senior in high school. Without a doubt, that weekend changed my life.
This year Chris and I competed in Balboa, and won 2nd place (congrats to Jacob and Valerie for beating us again! 😉 We were watching footage this morning at 4am when we got home, and I was particularly excited about how we danced in the prelims – I couldn’t remember much about this dance after it happened, so I was surprised at how much I like it! 
Camp Hollywood 2011 Balboa Prelims
(I’m unfortunately blanking on the name of the guy who filmed and was awesome enough to pass us a copy)
And for those who are wondering, I’m wearing the trousers I made from Wearing History 30’s Trousers pattern (blogged about here). I got so many compliments on them that I must make more soon! 

6 A.M. Swing Party – Rendezvous Ballroom

In honor of last week’s post about the Balboa Rendezvous, I thought I’d share a 1938 Look Magazine article with you about some of the incredible dancing that used to take place there! The Rendezvous Ballroom was huge, roughly 1 city block wide and 1 city block long – but I think 5,000 kids in there would still have been crowded! No wonder they could only dance chest to chest. 🙂
5,000 Young Californians Rise at Dawn for a… 
6 A.M. SWING PARTY

On June 18 in Balboa, Cal., the amazing swing music fad in the U.S. hit a new high. On that day some 5,000 “cats” and “alligators” rose at dawn to “cut rugs” and “kick out” at 6 o’clock in the morning. The occasion was a “jam session” or “swingaree” staged by radio station KEHE to celebrate the end of the school year.
The night before the party, “ickies” and “jitterbugs” started arriving. Many came in parties composed of members of local swing clubs. Most of them came by car, some by foot. One young man drove 396 miles from Tonopah, Nev. One came on crutches.
From 6 to 8 in the morning, the ballroom of the Balboa Rendezvous shook with their dancing of the Big Apple, the Varsity, the Suzie-Q while the orchestra and a phonograph “gave out” with “licks” and “solid senders.”
Those shirts! Those ties! So terrible, and so AWESOME!
Dancing in a hat and gloves…but no stockings. Those wild jitterbugs!
This photo has been one of my personal favorites since I was 16 years old – 
I wanted to be her SO badly.
Still do. 🙂

Modern Swing Fashion

Back in the late 90s when I started swing dancing, vintage style was all the rage – high-waisted pants, gabardine skirts, the aforementioned long-sleeve blouses…it wasn’t enough to dance awesome, you also had to look the part.

Then the popularity of the vintage clothes waned – they’re expensive, fragile, and it’s hard to make or buy decent repros. Much to the chagrin of club promoters and brides-to-be, jeans and t-shirts were common at even the fanciest events and biggest competitions.

The last couple of years I’ve seen a real upswing (hehheh – no pun intended) in swing fashions. I chalk this up to 2 causes: among instructors there’s a new emphasis on performing choreographed routines, so costuming is being considered more, and the emerging Balboa dance culture prides itself on being Refined instead of Raw. I’m loving it – what you wear has a huge impact on how you move, so dressing the part can actually make you a better dancer!

A couple weeks ago we went to the Saturday night portion of Inspiration Weekend and saw the 30-Second Showcase. This is a competition designed for non-professionals to get their feet wet with choreographing and performing a routine – the dancing was great, but I was really impressed with some of the outfits! So many competitors managed to put together looks that were coordinated without being cheesy, using modern clothes that are dance friendly. I hope to see more of this! 🙂

All photos used with permission. To see more, please visit BHousePhoto.com
Celina Avila and Jason Le
Morgan Day and Emily Wigger
Michael Seibert and Virginia Zachary
Jack Chen and Brittany Calavitta
 Michael Seibert and Virginia Zachary