Maharaja Costume

June 12, 2012

A few months ago, Balboa & Lindy Hop champion Laura Keat contacted me to ask if I would be interested in making a costume for a new routine she was working on. As a rule I don’t sew for other people (I don’t even hem Chris’s pants, he has to take them to the cleaners), but this was a special project that I was very interested in working on.

On Saturday night at All Balboa Weekend, Laura and her dance partner, Jeremy Otth, performed Hal & Betty Takier’s “Maharaja”, a musical short from 1943. This is one of only a few clips we have of LA Swing from the 30’s & 40’s, and this one is a wild ride – the energy and enthusiasm combined with their street dance technique has been hugely influential to modern balboa dancers. In honor of Hal’s recent passing, Jeremy & Laura wanted to represent this in their recreation.

Inspiration: 40’s Playsuit

Inspiration: High-flying skirt!

I worked with Laura to create a 40’s playsuit like the one Betty wears in Maharaja – unfortunately most of the footage we have is pretty blown out and details are hard to see, but that gave us some creative license in the design. For the top and the skirt I used a rayon twill, lined with a rayon satin (I’ve got a bit of a love affair with the drape and flow of rayon – perfect for swishy skirts!)

I draped the top and the skirt, and we decided to put buttons down the skirt so that it can fly open for this routine but be not as…revealing for others. 🙂

Cute, right? Well, get ready to be wowed – they NAILED the routine! Bummed I couldn’t be at the event in person, but so glad I got to be part of it anyway!

Jeremy Otth & Laura Keat perform Hal & Betty Takier’s “Maharaja” in tribute at the 2012 All Balboa Weekend

Photo by Shannon Sheldon

Dancing at Carnation Plaza – Disneyland

May 3, 2012

Last Saturday we went to Disneyland – this was a bittersweet event because it was the last night of swing dancing at Carnation Plaza. They’ve had live music and swing dancing there since the late 50’s, with top name acts performing like Louis Armstrong, Gene Krupa, Count Basie and Harry James. Oh, yes, and yours truly – I played at Carnation with my high school band. 🙂

I never really danced at Disneyland – until we moved recently it was just a little too far away to make buying a pass worthwhile – but Chris started dancing there in the late 90’s. It was the first place he saw swing dancing in person, and he started taking lessons because dancing at Disneyland looked like fun. How cool is that?! My first swing dance was in a church basement, and his was at DISNEYLAND!

The regular Disney dancers held an “Aloha” party for Carnation

on the final night, hence the lei.

With good friends Jacob and Emily (and her Minnie Mouse bow!)

Photo by Richard Takenaga

Chris’s “Tie my shoe” move. He didn’t trip, i swear! 😉

Photo by Teresa Wyman

And, while we were there I took advantage of having my hair done and

had my silhouette cut on Main Street.

Passersby got a kick out of watching the silhouette artist work.

Luckily, it only took about a minute. 🙂

The final product. She made my nose WAY cuter than real life, and I’m okay with that!

The Rendezvous Cup

April 12, 2012

I have a confession to make. I like dancing more than I like blogging. 🙂 At costume events, there’s always a lot of time for picture taking (which is at least 50% the reason for going. The other 50% is eating tea and cookies). But at a REALLY FUN dance event, it’s hard to remember to take pictures. I get wrapped up in the music and people and just forget. So it’s embarrassing that after Balboa Rendezvous, I walked away with zero photos.

BUT! We did come away from the event with The Rendezvous Cup this year! 🙂 We have to give it back next year (unless we win again 😉 but it’ll have our names and some witty saying added for 2012.

Giant thanks to Joel Plys for putting together the 9th Annual Balboa Rendezvous. As I mentioned in a previous post, Chris and I attended as in-class instructors, and we were in the Level 1 classes all day on Saturday, dancing with and working one-on-one with students. For Level 1 there were 8 in-class instructors, which sounded like a lot at first, but it worked really well – the students got a lot of personal attention, and they learned the material much faster. The main instructors were top-notch, and I recommend putting this event on your list if you’re interested in Balboa.

And the MUSIC!! Oh my goodness. We’re spoiled here in Los Angeles with our fantastic bands and frequent live music, but Glenn Crytzer and His Syncopators came down from Seattle and — holy smokes, they’re incredible. Every time I walked into the ballroom I thought a (remastered!) vintage recording was playing. The band’s balance was just perfect and the rhythm section felt like the Heartbeat of Balboa. Pop over to their website for a free listen!

And ok, here’s a contest photo I dug off Facebook. I guess the back of my head’s better than nothing?!

Photo by Douglas LeClair

“I’m Just A Jitterbug”

February 24, 2012

I’ve fallen off posting about dancing much in the last couple months, but a recent Facebook conversation reminded me that I’ve been meaning to post this article originally published in a 1939 Look Magazine. It shows some “behind the scenes” shots of LA swing dancers who were filmed as inspiration for the Walter Lantz cartoon short “I’m Just a Jitterbug”.

The footage of dancing was rotoscoped for the cartoon (basically traced), which seems to be looked down on by animators, but it’s fun for us dancers, because it’s so true to life. Only 2 couples are shown in the Look article, but from watching the footage we know that Ray Hirsch and Patti Lacey were part of this project too, because we see their signature moves in it!

As was unfortunately common in this era, there are racist and derogatory images included in the article and cartoon. I have included them in this entry because I feel strongly that it is inappropriate to cut them and not recognize the bigotry present.

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Human Jitterbugs Are Models…

For Dancing Insects In an Animated Cartoon

Nobody ever knows what a jitterbug will do next. Even those masters of miracles, the Hollywood animated cartoonists, who cam make pigs dance and ducks talk, couldn’t figure out the jitterbugs.

“When the jitterbug craze hit the country,” says Cartoon Producer Walter Lantz, “we started out to make a jitterbug cartoon. But after making many hundreds of drawings, we realized it was impossible to follow the intricate steps conceived by these dizzy dancers unless we could work from actual jitterbugs in action.”

So Lantz rounded up jitterbug teams, turned them loose in front of a camera, then had animators study them on the movie screen. Even then, the timing problem was too difficult. Finally, each frame of action was projected and a tracing was made of it. Animators then drew the cartoon bugs over the tracings of the dancing teams.

Some of the human models and the cartoon scenes they inspired for “I’m Just a Jitterbug” are shown here. The cartoon required 12,000 individual drawings, but it takes only seven minutes to show it on the screen.

Grandpa and Grandma Bug act as silly as human beings.

(Dancers are Roy Damron and Snookie Bishop)

The Bugs Get a Lesson in swing from Mary Herron and Jack Conlogue.

“Snookie” Bishop and Roy Damron demonstrate for the bug cartoonists.

This is the Way the bugs do it after Roy and “Snookie” have shown them how.

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And here’s the final version of the cartoon!

Funny thing is, I don’t see any of the images from the magazine in the cartoon.

“I’m Just a Jitterbug” (1939)

Because I like to see the unedited version myself, I’ve included the complete magazine pages below.

Camp Hollywood 2011 – Balboa

July 26, 2011

This past weekend was the 14th annual Camp Hollywood, and as usual we packed up the car and drove 20 minutes to the LAX Marriott hotel for our “big” summer getaway. Hey, a couple days off work? I’ll take it.

Out of all the swing dance weekend camps, Camp Hollywood is particularly dear to me. Not only is it the biggest swing event in the region, and is kind of a “family reunion” with longtime friends whom we don’t get to see much, but it’s also the camp where I first learned sugar pushes and swivels, took my first Balboa lesson, and saw Groovie Movie and Buck Privates for the first time. Way back in 1998, when I was a senior in high school. Without a doubt, that weekend changed my life.

This year Chris and I competed in Balboa, and won 2nd place (congrats to Jacob and Valerie for beating us again! 😉 We were watching footage this morning at 4am when we got home, and I was particularly excited about how we danced in the prelims – I couldn’t remember much about this dance after it happened, so I was surprised at how much I like it!

Camp Hollywood 2011 Balboa Prelims

(I’m unfortunately blanking on the name of the guy who filmed and was awesome enough to pass us a copy)

And for those who are wondering, I’m wearing the trousers I made from Wearing History 30’s Trousers pattern (blogged about here). I got so many compliments on them that I must make more soon!

LOOK Ma – More Dancing!

July 21, 2011

Here’s the final installment from the Swing Issue of LOOK Magazine – September 27, 1938.

I wonder what happened with the photo contest – heck, I’d enter for $50 in today’s money!

[In the previous post] are the four basic movements in the LOOK Hop, a new swing dance created by vivacious Rita Rio, whose popular all-girl swing band has made a hit in movies, on the radio and in ballrooms.

Rita says much of the fun in dancing the LOOK Hop lies in working out additional steps after mastering the “L,” double O” and the “K”. [Below] she and her partner, Bill Furrow, demonstrate other steps.

LOOK will pay $50 to the amateur submitting the best set of pictures showing a couple doing the LOOK Hop.