Truly Victorian 1913 Late Edwardian Corset

If we’re going through our layers from skin out, after the combinations comes the corset. And y’all, this is THE EASIEST corset I’ve ever made.  It’s a single layer of coutil (no lining), and there are no gores or gussets, so fitting is fairly simple. I made a mock-up for peace of mind before cutting into my coutil (that stuff is expensive!), but I didn’t make any major fit changes to the mockup. If I were braver (more foolhardy?), I could have skipped it.

As with my Wearing History combinations, I chose the e-pattern version of the Late Edwardian Corset from Truly Victorian. I resisted e-patterns for years after they started becoming popular, but I finally saw the light: INSTANT GRATIFICATION. And taping a pattern together takes about the same amount of time as tracing one off, so they don’t take more prep time for me. I’ve used a number of e-patterns from different companies at this point, and I have to commend the historical/vintage patternmakers – in my experience, the e-patterns from these companies generally go together much more easily than e-patterns from modern indie pattern companies.

I chose this particular overbust style because someday I’d like to do a proper Titanic-era outfit. The slim hip wasn’t as critical for this 1918 outfit, but it will be great under a more fitted 1912 dress. I LOVE the sleek silhouette this corset gives! Late-teens clothes aren’t extremely fitted, so if you wanted to skip the corset you could probably get away with it, but I enjoyed the effect it gives. It doesn’t cinch down much (and I’m not very squishy anyway – my corseted waist is usually about the same as uncorseted) but it REALLY changes your posture. No slouching allowed!

The instructions for this pattern have step-by-step text and a few illustrations, but I followed Jen’s 1910s corset tutorial at Festive Attyre for most of my construction. I guess my corset still is technically unfinished (no garter hooks, no lace at the top, etc) but it’s completely wearable, so honestly it’s probably as finished as it’s ever gonna be. For the Great War Gallop I wore knee-high socks from the Dollar Tree, which worked fine. Maybe someday I’ll want “proper” stockings, and then I’ll have to attach garter hooks. Maybe.

I do want to share how I handled the fitting stage. I stitched together the panels, inserted the front busk, back grommets, back (steel) bones and sandwiched my waist stay tape into the back facing seam. At this point there is only boning at the CF and CB, but you can try it on and get an idea of how it will fit and make adjustments because the seams are not yet covered with the boning casing. I ended up letting out the waist about 1/4″ on every seam to get a straight lacing gap in the back. I also made sure to sit while wearing it, so I could get an idea of where the bones needed to end in the front (the wrinkles show where my hips bend, so the boning shouldn’t extend past that point).

Inside of the partially constructed corset, ready for fitting

The waist stay, boning channels, and top and bottom binding all use 1″ twill tape, because I have a massive roll in my stash, so I use it for EVERYTHING. I used synthetic whalebone for the first time, and I found it to be very similar to the zip-ties I have used in other corsets. It’s so great to be able to easily fine-tune the length of the bones! I just use scissors and a heavy duty nail file to shape the tips.

Inside of the finished corset, nice and wrinkled from an afternoon of dancing!